Monika Gehlawat
Professor
- PHD - University of California-Berkeley (2008)
- MA - University of Chicago (2001)
- BA - Stanford University (1999)
Graduate Courses:
English 671: Continental Influences on American Modernists
English 644: Aesthetic Theory and the Ekphrastic Novel
English 644: Adorno's Aesthetic Theory
English 640: Critical Methods and Theory
English 625: Readings in Fiction
English 611: Contemporary Literature
Undergraduate Courses:
English 489: Americans Abroad and At Home
English 441: Craft and Criticism
English 400: Postwar New York Art and Literature
English 371: American Literature from the Civil War to Present
English 340: Critical Methods and Theory
English 311: Post-Millennial Fiction
English 203: World Literature
English 201: Introduction to Fiction
- In Defense of Dialogue: Reading Habermas and Postwar American Literature, 2020
- "The Marvelous and the Mundane: Ekphrastic New York Novels", The History of New York City Literature, ed. Ross Wilson, 2020
- 鈥淪trangers in the Village: James Baldwin, Teju Cole, and Glenn Ligon鈥�, James Baldwin Review, 2019
- "Sharing Inwardness in Teju Cole's Blind Spot", Word and Image, 2020
- "1949: Pollock/Bowles", Post45, 2016
- "Myth and Mimetic Failure in Ishiguro's The Remains of the Day", Contemporary Literature, 2013
- Desperately Seeking Singularity in Franny and Zooey", LIT: Literature Interpretation Theory, 2011
- "Space, the Self and Singularity in Le Corbusier and Christopher Isherwood", Literary Imagination, 2013
- "Individual Types and Social Praxis in Walter Benjamin", New Essays on the Frankfurt School of Critical Theory, 2008
- The Aesthetics of Whiteness: A Study of Melville's Moby Dick and Robert Ryman's Monochrome Paintings", Soundings, 2005
- Association of the Arts of the Present
- Modern Language Association
- Post45
- Modernist Studies Association